Power, Style, and Substance: Diplomats, Leaders, and Icons Gather for The Devil Wears Prada 2 Block Screening Presented by Rising Tigers Magazine

 

On May 2, 2026, at exactly 1:00 PM, Cinema 2 of SM Aura Premier transformed into a striking convergence of influence, elegance, and intellect as Rising Tigers Magazine hosted an exclusive block screening of what is already being hailed as the movie of the year, The Devil Wears Prada 2.

But this was no ordinary screening. Moving beyond the usual circle of fashion insiders and entertainment personalities, the event drew an unexpected yet powerful audience, diplomats, politicians, business leaders, and cultural tastemakers, reflecting the film’s enduring relevance across industries.

The afternoon unfolded as a celebration not only of cinema but also of leadership, identity, and the nuanced balance between ambition and authenticity, the very themes that have defined The Devil Wears Prada franchise.

Atty. Salvador Panelo, former spokesperson of President Rodrigo Duterte, arrived in his signature crisp suit and tie, embodying his unmistakable presence, accompanied by his wife, Dra. Araceli Panelo. Their presence added a layer of political gravitas to the gathering, proving that power dressing extends far beyond the runway.

Cultural pride and elegance were equally represented by the newly installed Indonesian Embassy Trade Attaché, Abu Ayu Nighsih, who stayed true to her roots in traditional Muslim attire, alongside her associate, Tassya Manuella. Their participation marked their first-ever block screening experience in the Philippines, one filled with excitement, curiosity, and cross-cultural exchange.

Fashion met reality with the arrival of Jenny Syquia, former fashion assistant at Vogue New York and often regarded as a real-life reflection of Andy Sachs or Emily Charlton. She entered with effortless sophistication alongside Kourtney Camcam, turning heads and earning a spot among the best dressed of the afternoon, together with Secretary Panelo and young entrepreneur Grace Santiago.

Barbie Arcache, LGBTQ leader and entrepreneur, made an early and unforgettable entrance in a sparkling gold tasseled blazer by Jor-El Espina, capturing both the spotlight and the admiration of the media. Meanwhile, Aliw Awardees Niña Campos and Lance Raymundo brought star power, with Campos showcasing a curated mix of Burberry, Louis Vuitton, and Dior, an ensemble that perfectly echoed the film’s fashion-forward narrative.

The guest list read like a who’s who of influence: Okada Manila’s Vice President for Sales and Marketing, Cielo Ortega Reboredo; Becky Garcia of The Manila Times; beauty queen Tiffany Cuna; media personality Irene Wicklein; Vogue Italia contributor MJ Suayan; music legend Darius Razon; Dubai-based tourism leader Malou Prado; resort owner Maria Odessa Escaler; Mrs. Universe Philippines owner Maria Charo Calalo; and farm owner Mellany Pobre, among many others. Each arrived in signature designer pieces, turning the cinema into a runway of personal branding and identity.

Yet the undeniable centerpiece of the afternoon was Publisher and Editor-in-Chief Grace Bondad Nicolas of Tag Media Group. Often likened to Miranda Priestly, she gracefully dismissed comparisons, choosing instead to stand firmly in her own identity. Dressed in a layered Rajo Laurel creation, paired with YSL stilettos and meticulously selected Prada accessories—from earrings to a statement micro bag—she embodied the essence of modern power dressing. Completing the picture were her twin daughters, mirroring her refined taste in ensembles from Prada to Gucci, as the family arrived together in anticipation of the film.

Quotes That Defined the Editor-in-Chief

The Devil Wears Prada 2 continues the legacy of sharp dialogue and unforgettable lines that cut through glamour with striking truth. These are among Editor-in-Chief Grace Bondad Nicolas’ personal mantras. 

* “Fashion fades, but power—power is always in style.”

* “You don’t survive this industry by being liked. You survive by being necessary.”

* “The moment you ask for permission is the moment you lose authority.”

* “Ambition isn’t the problem. Apology is.”

* “In a world obsessed with trends, be the standard.”

Lessons Beyond the Runway

More than its couture and charisma, The Devil Wears Prada 2 delivers powerful lessons that transcend industries:

1. Leadership Requires Clarity, Not Approval

Miranda Priestly’s character reinforces that decisive leadership often comes with criticism. The film reminds viewers that clarity of vision outweighs the need for validation.

2. Reinvention Is a Strength, Not a Weakness

Characters evolve, careers pivot, and identities shift, proving that growth often requires stepping into discomfort.

3. Excellence Demands Discipline

Behind every glamorous facade is relentless work. The film strips away illusion and highlights the cost of staying at the top.

4. Authenticity Is the Ultimate Luxury

In a world driven by app

*2nd Gen AI Summit 2026 Gathers Asia’s Tech Leaders at Marriott Hotel Manila*

April 29-30, 2026 | Marriott Grand Ballroom, Newport City

*MANILA* – The future of artificial intelligence moved from theory to execution this week as the *2nd Gen AI Summit 2026* opened at the *Marriott Hotel Manila*, April 29-30.

With 800+ founders, policymakers, engineers, and investors in attendance, the summit declared that *“Generation 1” AI was the demo. “Generation 2” is the deployment* – with guardrails.

 *From Hype to Hard Problems*

*DICT Secretary* opened Day 1 with a clear line: *“Last year we asked what AI can do. This year we ask what AI should do, and who it should serve.”*

The two-day agenda, themed *“From Generation to Application: Responsible AI at Scale,”* focuses on four pillars: language inclusion, public-sector impact, enterprise ROI, and safety by design.

 *Day 1 Highlights: April 29*

*1. Sovereign & Local Language AI*  

*Project ENTHUSIASM PH* unveiled the first Tagalog-centric LLM trained on Philippine laws, news, and literature. *AI Singapore* and *Bahasa AI Indonesia* joined to launch the *ASEAN Open LLM Alliance*, pooling 1B+ Southeast Asian language tokens. *“If AI doesn’t speak your mother tongue, it’s not your AI,”* said a UP AI researcher.

*2. Government + AI = Services That Scale*  

*DOH* and *Ateneo MedAI* demoed an AI triage tool that reads chest X-rays in rural health units, cutting diagnosis wait times from 2 weeks to 6 hours. *PAGASA* + *GMA News* showed _Panahon AI_, which converts raw weather data into hyperlocal flood alerts in Ilocano, Cebuano, and Bicolano in under a minute. *NAPC* presented poverty maps built by AI from satellite and social data.

*3. The Philippine AI Governance Framework 2026*  

Launched onstage, the framework requires risk assessments for “high-impact” AI in health, finance, and justice. It mandates watermarking for AI political content and creates a regulatory sandbox for startups. *“We’re not anti-innovation. We’re anti-collateral damage,”* said the DICT Undersecretary.

*Meta AI*, *Google DeepMind*, and *OpenAI* endorsed the *Manila Commitments* onstage: third-party model audits, cross-company incident sharing, and opt-outs for personal data training.

*4. Enterprise AI That Pays*  

No more “AI theater.” *Globe Telecom* said its AI agent now resolves 40% of customer chats, saving 18M minutes of human time per quarter. *Jollibee Foods Corp* cut commissary waste 18% using vision AI. *BDO Unibank* blocked PHP 1.2B in fraud in Q1 2026 with transaction AI. CFO takeaway: *“Start with P&L, not prompts.”*

 *Builders Hall: 50 Startups, Zero Vaporware*  

The Marriott’s ballroom floor became a live demo zone:

- *KataLens (PH)*: Explains government contracts in plain Tagalog for LGUs  

- *Huy AI (Vietnam)*: Voice companion for seniors in Khmer, Thai, and Bahasa  

- *CropGuard (Thailand)*: Farmers send a voice note, AI diagnoses pests from photos + dialect  

- *Harong AI (Bicol)*: Disaster-prep chatbot trained on local hazard maps

*TESDA + AWS* announced _AI Skills for All_, pledging to train 100,000 Filipinos in prompt engineering, data labeling, and AI audit by 2027.

 *Day 2 Preview: April 30*

Tomorrow’s agenda tackles the hard parts:  

- *Live Red-Teaming*: Ethical hackers attempt to jailbreak major models onstage  

- *Creatives & Copyright*: A framework for consent, credit, and compensation  

- *Future of Work*: BPO leaders and labor groups negotiate reskilling paths for 1.3M workers  

The summit closes with the *ASEAN AI Investment Pledge* – $300M earmarked for “responsible Gen AI” startups across the region.

*Why It Matters*  

Marriott Newport was picked for a reason: steps from NAIA, surrounded by BPO towers. The message: *Gen 2 AI isn’t a lab project. It’s a jobs project, a governance project, and an inclusion project.*

*“Gen 1 gave us superpowers,”* said the summit chair. *“Gen 2 must give us wisdom. The world is watching how Manila handles both.”*

_2nd Gen AI Summit 2026 is organized by Asia AI Alliance with DICT and DTI. Runs April 28-30 at Marriott Hotel Manila, Newport City. #GenAISummit2026.

*Digital Media Asia 2026 Kicks Off at Manila Hotel, Charts Asia’s AI-Driven News Future*

 

_April 28, 2026 | The Manila Hotel, Rizal Park_

*MANILA* – The ballrooms of *The Manila Hotel* transformed into Asia’s newsroom of the future today as *Digital Media Asia 2026* opened its three-day run, bringing 600+ publishers, editors, and tech leaders from across the region to tackle the biggest shift in journalism since the printing press: *AI, trust, and the creator economy.*

Hosted by the *World Association of News Publishers (WAN-IFRA)* and co-organized by the *United Print Media Group Philippines*, DMA 2026 runs *April 28–30* under the theme *“Trust, Tech, and the New Town Square.”*

 *Opening Day: Manila Takes the Mic*

In his welcome address at the historic Centennial Hall, *WAN-IFRA President* said: *“For decades, Asia watched global media trends. Today, global media watches Asia. And this week, they watch Manila.”*

The Philippines was chosen as 2026 host for three reasons: 86M social media users, the world’s highest time spent online, and a media market where TikTok, legacy TV, and community radio all fight for the same eyeballs.

*AI: From Hype to Newsroom Habit*

Day 1 panels made one thing clear – the “should we use AI?” debate is over. 

*GMA Integrated News* unveiled _Serbisyong Totoo AI_, which drafts flood and traffic advisories in 7 PH languages, then routes to human editors for context and empathy checks. *“The machine writes fast. Our reporters make sure it writes true,”* said GMA’s Digital Chief.

*Singapore Press Holdings* demoed _Halo_, an AI that scans a reporter’s draft and flags missing context, uncited claims, or tonal bias before publication. *The Jakarta Post* showed how it uses small language models trained only on its 40-year archive to avoid hallucinations.

Rule from the floor: *Disclose it, human-check it, and never let it near the headline without a pulse.*

 *The Manila Accord Signed Onstage*

In a landmark moment, the *DICT*, Meta, Google, TikTok, Rappler, ABS-CBN, and 10 other Asian publishers signed the *Manila Accord for Information Integrity* at The Manila Hotel’s Maynila Ballroom.

Effective immediately for PH’s May 2026 elections, the accord commits to:  

1. *Shared war rooms* for viral disinfo during elections  

2. *C2PA watermarking* on all political ads and AI-generated campaign content  

3. *Training 5,000 provincial journalists* in AI verification and mobile reporting by Q1 2027

*“This isn’t self-regulation. It’s shared responsibility,”* said the DICT Secretary.

 *Money: The New Business Models Are Messy – and Working*

*Mindanao Times* shared its playbook: a PHP 55/month mobile-only sub via GCash netted 12K paying readers in 90 days. *“We stopped selling newspapers. We started selling relevance,”* its publisher said.

*The Ken* (India) turns subscribers into sources through paid Zoom newsrooms. *South China Morning Post* lets members crowdfund specific investigations. *Nikkei* now sells its archive as licensed AI training data.

Common thread: *Revenue follows trust and utility, not just traffic.*

 *Creators + Journalists = The New Newsroom*

*Rappler, Nas Daily, and Kompas TV* closed Day 1 with a live pitch: co-produced explainers where reporters bring the facts, creators bring the format. 

TikTok Philippines announced a *News Creator Fellowship* at the event, embedding 50 Filipino journalists with top creators to produce platform-native news. *“If we’re not on their For You Page, we’re not in their world,”* said a Rappler producer.

 *Why The Manila Hotel*  

WAN-IFRA chose the 112-year-old landmark to make a point: *heritage and innovation share a roof.* Between sessions, delegates tested AI transcription tools under crystal chandeliers where heads of state once dined. The symbolism: trusted institutions can evolve without erasing their roots.

 *What’s Next*  

*April 29*: Deep dives on newsroom AI governance, podcast revenue, and ASEAN data policy.  

*April 30*: *Asian Digital Media Awards Gala* – recognizing the best in data journalism, newsletters, and product design.

*“The next chapter of Asian media won’t be written in Silicon Valley or London,”* said a Malaysian editor in the lobby. *“It’s being drafted here, in Manila, this week.”*

Digital Media Asia 2026 runs until April 30 at The Manila Hotel. Follow #DMA2026 for live updates.

*NAPC, International Theatre Institute Forge Trilateral Pact Under UNESCO Patronage to Mark International Dance Day 2026

 

Four-day celebration at the Metropolitan Theater, April 27–30, 2026, puts Filipino communities at the center of global dance dialogue

*MANILA* – Dance became diplomacy this week as the *National Anti-Poverty Commission (NAPC)*, the *International Theatre Institute (ITI) Worldwide*, and *UNESCO* launched a trilateral collaboration to celebrate *International Dance Day 2026*, running April 27 to 30 at the Manila Metropolitan Theater.

The initiative, held under official *UNESCO patronage*, links poverty eradication, cultural rights, and performing arts on one stage – positioning community dance as both heritage and development strategy.

 *Why This Trilateral Matters*

*1. NAPC* brings the mandate: ensure culture is part of the Philippines’ anti-poverty roadmap. Dance isn’t decoration; it’s livelihood, identity, and social cohesion for marginalized sectors.  

*2. ITI Worldwide* brings the network: 90+ centers across continents, connecting artists, educators, and policymakers through dance and theatre.  

*3. UNESCO* brings the framework: Article 27 of the Universal Declaration of Human Rights and the 2005 Convention on Cultural Diversity – culture as a pillar of sustainable development.

Together, the three signed the *“Manila Accord on Dance, Dignity, and Development”* on April 27, committing to use dance as a tool for inclusion, peacebuilding, and income generation in poor communities.

 *Four Days, Three Strands*

*April 27 – Rites and Roots*  

Opening rites honored International Dance Day with the ITI Worldwide Message delivered by a Filipino choreographer for the first time. Indigenous ensembles from Cordillera, Mindanao, and Visayas shared ritual dances now taught as livelihood modules in NAPC’s community arts programs.

*April 28 – People: Dance Against Poverty*  

Forums spotlighted how community dance groups in Payatas, Tondo, and conflict-affected areas of BARMM use performance for therapy, tourism, and income. NAPC presented case studies where dance training cut dropout rates and created micro-enterprises. ITI experts ran masterclasses on “Dance as Decent Work” under UNESCO’s Art-Lab framework.

*April 29 – Planet: Dancing with the Land*  

Choreographers collaborated with environmental defenders to create pieces based on _bayanihan_ climate adaptation. The _Sayaw ng Bakawan_ by fisherfolk youth from Bataan showed mangrove planting as choreography. UNESCO’s Culture | 2030 Indicators were discussed as a way to measure dance’s impact on SDG 1 and SDG 13.

*April 30 – Peace: Moving Beyond Borders*  

Closing night featured the *“Trilateral Gala”* – Filipino, ASEAN, and ITI international artists co-creating a 30-minute piece weaving _tinikling_, _pangalay_, contemporary, and Afro-diasporic movement. The gala doubled as a fund drive for dance scholarships in poor communities.

 *UNESCO Patronage: What It Means*  

UNESCO patronage signals that the event aligns with the Organization’s mission to build peace through culture. It grants use of the UNESCO logo and commits the partners to document and share outcomes globally. The Manila Accord will be presented at the *ITI World Congress 2027* as a model for “culture-sensitive poverty reduction.”

*“Poverty strips people of choices. Dance restores voice, dignity, and income,”* said NAPC Lead Convenor. *“With ITI and UNESCO, we’re saying: anti-poverty work must be cultural work.”*

ITI Worldwide President added: *“International Dance Day is not just celebration. It is mobilization. The Manila trilateral proves dance can move policy, not just audiences.”*

 *What Happens After the Curtain Falls*  

The Accord outlines 3 commitments for 2026-2028:  

1. *Dance Livelihood Hubs* – NAPC to pilot 17 hubs in poor municipalities with ITI technical support.  

2. *Global South Exchange* – ITI to fund residencies for Filipino community choreographers in Africa and Latin America.  

3. *Policy Metrics* – UNESCO to help integrate dance and culture indicators into Philippine poverty assessments.

The Metropolitan Theater, once a symbol of elite art, now hosts a declaration that puts grassroots dancers at the center of global cultural policy. 

*International Dance Day 2026* in Manila didn’t just celebrate movement. It moved the conversation – from stage to sector, from performance to policies.